Chris Pfaff moderated the SXSW 2024 panel – ‘How Immersive Sound Can Deliver Powerful Experiences’ – on Friday, March 15th at the Hilton Austin Downtown, with an expert panel consisting of Mirko Vogel, from Vaudeville Sound Group; Jani Houponen, from Google, and Sylvana Levy, from XRAgency.

Vogel discussed the use of ambisonics in designing immersive audio for a range of projects, including Vaudeville’s creation of the industry’s largest immersive sound library, for Shutterstock; immersive audio for VR, including a music video with artist Whipped Cream; the ‘AmazingWar Stories’ podcast, and more.

Huoponen discussed Google’s immersive audio work, including the Alliance for Open Media’s recent Immersive Audio Models and Formats (IAMF) specification, a major advance in immersive audio design.

Levy demonstrated her immersive audio work on hybrid virtual/live installations for venues.

The audience was also treated to Vaudeville’s IAMF-designed forest audio, which simulated multiple speakers for bird noises and environmental sounds.

You can listen to the full panel at:

https://vimeo.com/928115672/7d2e77e132?share=copy

Chris Pfaff moderated the ‘Live Events in the ‘New Normal’ panel at the Streaming Media Magazine Connect event, on Thursday, August 26, 2021, with Bonnie Comley, CEO/founder of BroadwayHD; Fabrice Sergent, managing partner of Bandsintown Group, and Jordan Gremli, VP, artist development at DICE.

The panel discussed the return of live events to venues across the globe, yet the virtual live market – music, theater, dance – has been alive and well since the start of the pandemic, and will likely evolve into a hybrid model for venue owners, artists, promoters, and audiences.

You can watch the full panel at: https://www.youtube.com/watch?v=cWq7bHRTeYo&t=22s

Bonnie Comley (upper left), Chris Pfaff (upper middle), Jordan Gremli (upper right), Eric Schumacher-Rasmussen (bottom left), Fabrice Sergent (bottom right)